11/28/2023 0 Comments Busboy interview questionsSo you're at Universal, and while you were there, were there mentors you had or how did it work in terms of giving you an orientation to the industry? There was an effort for that and I think that probably led to perhaps my being hired in the mail room. to try to right itself, to create more, now we call diversity, and more inclusiveness. But I don't know if it was consciousness, so much as it was an effort on L.A. Well, in 1970, ‘71, it was right after the Watts riots, so the place was teeming with a certain degree of, you can say consciousness. So let's talk about that transition that you made from Chicago to Los Angeles. And number three, don't let anyone rob you of your dreams. Even though your customers are Alfred Hitchcock and Paul Newman and Lew Wasserman, you still get to know them and because you're gonna need a reference at some point to move out of the mailroom. So how do those basic elements apply to Hollywood? Well, I was hired at Universal Studios to work in the mail room and deliver the mail every day without excuses. And number three: Most important, don't get robbed. Number two: Get to know your customers, because if you don't get to know your customers, you will not be able to collect the money that you’re owed. One is: Deliver papers every day without fail. 'Cause there are three fundamentals when you're delivering newspapers in Chicago. Reuben Cannon: I tell the story that everything I needed to know about my job at Universal Studios, as a mail person or part of the Universal Studio's Training Program, I learned in Chicago on my paper route. Jacqueline Stewart: So I want to talk about how you got started in the industry … These interview excerpts have been edited for length and clarity. In the latest season of The Academy Museum Podcast, Cannon spoke with host (and Academy Museum director and president) Jacqueline Stewart about getting his start in casting, what it was like to be the “first” in the industry, and why he ultimately decided to leave casting in favor of producing. Cannon got his start in the mailroom at Universal Studios, worked his way up to a job as a casting department trainee, then a casting director, moved to Warner Brothers to take a position as head of television casting, and then opened his own casting office in 1978. He also made Hollywood history, by becoming the first Black casting director in the 1970s. His production credits include many of Tyler Perry’s TV shows and films and Spike Lee’s 1996 movie Get on the Bus. Over the course of his career, Cannon cast TV shows like Moonlighting and Sanford and Son, films including The Color Purple, What’s Love Got to Do With It, Who Framed Roger Rabbit and several of director John Carpenter's horror movies. While you may not know casting director/film and TV producer Reuben Cannon by name (yet), it’s very likely you’re familiar with his work. How do I find The Academy Museum Podcast?.
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